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(3.4 x 2.6 cm)", "Disp_Height" : "1 5/16 in.", "Disp_Width" : "1 1/16 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "The I. Webb Surratt, Jr. Print Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "Prints", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The title page with two children drawing in a sumptuously bound album decorated with a coat of arms suggests that this book is meant for noble amateurs rather than professional artists. The plates include studies of heads, faces, ears, eyes, mouths. hands, and feet, showing novice artists how to render these details. Also included are studies of various types: young and old men, and beautiful women, some classically calm types strikingly contrasting with more extravagant examples.<BR/><BR/>-----<BR/><BR/>The Human Figure, Archetype and Actuality: Works from the Collection<BR/>January 21, 2009 to March 06, 2009<BR/>Owing in part to Baldessare Castiglione’s 1528 guidebook for nobility, The Book of the Courtier, drawing and art making became a popular pastime among European royalty and nobles. In 1656, della Bella was the drawing instructor of Cosimo III de’Medici, who later became the Grand Duke of Tuscany. <BR/> Della Bella’s Book for the Study of Drawings includes sketches of a variety of body parts, such as ears, hands, and feet. Apart from giving advice to pupils, the prints were also designed to raise the status in royal courts of artists, who were regarded with the same lowly status as millers and butchers. <BR/></SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/M1996.01.27l.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/M1996.01.27l.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/M1996.01.27l.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/M1996.01.27l.jpg", "IsPrimary" : "1", "_SurrogateID" : "14194", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 55, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/55", "Disp_Access_No" : "M1996.01.27.m", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1641-1649", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1649", "Disp_Title" : "[Head of a Young Girl], from the series "Book for the Study of Drawings"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stefano della Bella", "Sort_Artist" : "della Bella, Stefano", "Disp_Dimen" : "1 5/16 x 1 1/16 in. (3.4 x 2.6 cm)", "Disp_Height" : "1 5/16 in.", "Disp_Width" : "1 1/16 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "The I. Webb Surratt, Jr. Print Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "Prints", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The title page with two children drawing in a sumptuously bound album decorated with a coat of arms suggests that this book is meant for noble amateurs rather than professional artists. The plates include studies of heads, faces, ears, eyes, mouths. hands, and feet, showing novice artists how to render these details. Also included are studies of various types: young and old men, and beautiful women, some classically calm types strikingly contrasting with more extravagant examples.<BR/><BR/>-----<BR/><BR/>The Human Figure, Archetype and Actuality: Works from the Collection<BR/>January 21, 2009 to March 06, 2009<BR/>Owing in part to Baldessare Castiglione’s 1528 guidebook for nobility, The Book of the Courtier, drawing and art making became a popular pastime among European royalty and nobles. In 1656, della Bella was the drawing instructor of Cosimo III de’Medici, who later became the Grand Duke of Tuscany. <BR/> Della Bella’s Book for the Study of Drawings includes sketches of a variety of body parts, such as ears, hands, and feet. Apart from giving advice to pupils, the prints were also designed to raise the status in royal courts of artists, who were regarded with the same lowly status as millers and butchers. <BR/></SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/M1996.01.27m.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/M1996.01.27m.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/M1996.01.27m.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/M1996.01.27m.jpg", "IsPrimary" : "1", "_SurrogateID" : "14195", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 56, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/56", "Disp_Access_No" : "M1996.01.27.n", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1641-1649", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1649", "Disp_Title" : "[Head of a Woman], from the series "Book for the Study of Drawings"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stefano della Bella", "Sort_Artist" : "della Bella, Stefano", "Disp_Dimen" : "1 5/16 x 1 1/16 in. (3.4 x 2.6 cm)", "Disp_Height" : "1 5/16 in.", "Disp_Width" : "1 1/16 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "The I. Webb Surratt, Jr. Print Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "Prints", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The title page with two children drawing in a sumptuously bound album decorated with a coat of arms suggests that this book is meant for noble amateurs rather than professional artists. The plates include studies of heads, faces, ears, eyes, mouths. hands, and feet, showing novice artists how to render these details. Also included are studies of various types: young and old men, and beautiful women, some classically calm types strikingly contrasting with more extravagant examples.<BR/><BR/>-----<BR/><BR/>The Human Figure, Archetype and Actuality: Works from the Collection<BR/>January 21, 2009 to March 06, 2009<BR/>Owing in part to Baldessare Castiglione’s 1528 guidebook for nobility, The Book of the Courtier, drawing and art making became a popular pastime among European royalty and nobles. In 1656, della Bella was the drawing instructor of Cosimo III de’Medici, who later became the Grand Duke of Tuscany. <BR/> Della Bella’s Book for the Study of Drawings includes sketches of a variety of body parts, such as ears, hands, and feet. Apart from giving advice to pupils, the prints were also designed to raise the status in royal courts of artists, who were regarded with the same lowly status as millers and butchers. <BR/></SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/M1996.01.27n.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/M1996.01.27n.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/M1996.01.27n.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/M1996.01.27n.jpg", "IsPrimary" : "1", "_SurrogateID" : "14196", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 57, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/57", "Disp_Access_No" : "M1996.01.27.o", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1641-1649", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1649", "Disp_Title" : "[Bust of Young Woman], from the series "Book for the Study of Drawings"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stefano della Bella", "Sort_Artist" : "della Bella, Stefano", "Disp_Dimen" : "1 5/16 x 1 1/16 in. (3.4 x 2.6 cm)", "Disp_Height" : "1 5/16 in.", "Disp_Width" : "1 1/16 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "The I. Webb Surratt, Jr. Print Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "Prints", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The title page with two children drawing in a sumptuously bound album decorated with a coat of arms suggests that this book is meant for noble amateurs rather than professional artists. The plates include studies of heads, faces, ears, eyes, mouths. hands, and feet, showing novice artists how to render these details. Also included are studies of various types: young and old men, and beautiful women, some classically calm types strikingly contrasting with more extravagant examples.<BR/><BR/>-----<BR/><BR/>The Human Figure, Archetype and Actuality: Works from the Collection<BR/>January 21, 2009 to March 06, 2009<BR/>Owing in part to Baldessare Castiglione’s 1528 guidebook for nobility, The Book of the Courtier, drawing and art making became a popular pastime among European royalty and nobles. In 1656, della Bella was the drawing instructor of Cosimo III de’Medici, who later became the Grand Duke of Tuscany. <BR/> Della Bella’s Book for the Study of Drawings includes sketches of a variety of body parts, such as ears, hands, and feet. Apart from giving advice to pupils, the prints were also designed to raise the status in royal courts of artists, who were regarded with the same lowly status as millers and butchers. <BR/></SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/M1996.01.27o.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/M1996.01.27o.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/M1996.01.27o.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/M1996.01.27o.jpg", "IsPrimary" : "1", "_SurrogateID" : "14197", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 58, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/58", "Disp_Access_No" : "M1996.01.27.p", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1641-1649", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1649", "Disp_Title" : "[Head of an Old Woman], from the series "Book for the Study of Drawings"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stefano della Bella", "Sort_Artist" : "della Bella, Stefano", "Disp_Dimen" : "1 5/16 x 1 1/16 in. (3.4 x 2.6 cm)", "Disp_Height" : "1 5/16 in.", "Disp_Width" : "1 1/16 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "The I. Webb Surratt, Jr. Print Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "Prints", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The title page with two children drawing in a sumptuously bound album decorated with a coat of arms suggests that this book is meant for noble amateurs rather than professional artists. The plates include studies of heads, faces, ears, eyes, mouths. hands, and feet, showing novice artists how to render these details. Also included are studies of various types: young and old men, and beautiful women, some classically calm types strikingly contrasting with more extravagant examples.<BR/><BR/>-----<BR/><BR/>The Human Figure, Archetype and Actuality: Works from the Collection<BR/>January 21, 2009 to March 06, 2009<BR/>Owing in part to Baldessare Castiglione’s 1528 guidebook for nobility, The Book of the Courtier, drawing and art making became a popular pastime among European royalty and nobles. In 1656, della Bella was the drawing instructor of Cosimo III de’Medici, who later became the Grand Duke of Tuscany. <BR/> Della Bella’s Book for the Study of Drawings includes sketches of a variety of body parts, such as ears, hands, and feet. Apart from giving advice to pupils, the prints were also designed to raise the status in royal courts of artists, who were regarded with the same lowly status as millers and butchers. <BR/></SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/M1996.01.27p.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/M1996.01.27p.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/M1996.01.27p.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/M1996.01.27p.jpg", "IsPrimary" : "1", "_SurrogateID" : "14198", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 59, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/59", "Disp_Access_No" : "M1996.01.28", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1639-1640", "_Disp_Start_Dat" : "1639", "_Disp_End_Date" : "1640", "Disp_Title" : "Oval Fan with Rebus on Love", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stefano della Bella", "Sort_Artist" : "della Bella, Stefano", "Disp_Dimen" : "4 1/2 x 3 1/4 in. (11.4 x 8.3 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "The I. Webb Surratt, Jr. Print Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The two prints were made in the form of an écran, a screen with a handle, and feature rebuses — puzzles that are composed of syllables or words in the form of pictures, signs, and letters. When combined, they become witty aphorisms or proverbs. These rebuses are playful visual riddles to be deciphered. The prints were meant to be cut out and pasted onto a handheld fan. Such fans were used in the winter as shields from the heat of the fireplace or in summer to stir the warm air.<BR/><BR/>Love<BR/><BR/>Wherever there is Love there is fidelity.<BR/>Solicitous Love is secret.<BR/>Wherever there is Love there is jealousy.<BR/>Love is blind and sees from afar.<BR/>Love passes the glove and water <BR/> passes the boots.<BR/>Love, you are my ruin.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/M1996.01.28.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/M1996.01.28.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/M1996.01.28.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/M1996.01.28.jpg", "IsPrimary" : "1", "_SurrogateID" : "14199", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 60, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/60", "Disp_Access_No" : "M1996.01.29", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1639-1640", "_Disp_Start_Dat" : "1639", "_Disp_End_Date" : "1640", "Disp_Title" : "Oval Fan with Rebus on Fortune", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stefano della Bella", "Sort_Artist" : "della Bella, Stefano", "Disp_Dimen" : "4 1/2 x 3 1/4 in. (11.4 x 8.3 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "The I. Webb Surratt, Jr. Print Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The two prints were made in the form of an écran, a screen with a handle, and feature rebuses — puzzles that are composed of syllables or words in the form of pictures, signs, and letters. When combined, they become witty aphorisms or proverbs. These rebuses are playful visual riddles to be deciphered. The prints were meant to be cut out and pasted onto a handheld fan. Such fans were used in the winter as shields from the heat of the fireplace or in summer to stir the warm air.<BR/><BR/>Fortune<BR/><BR/>Fortune and you will sleep.<BR/>Anyone dances when Fortune plays.<BR/>Even a little turn of the key is enough <BR/> for the one who is lucky.<BR/>Anyone can navigate when it is sunny <BR/> and windy.<BR/>Better to have an ounce of luck than <BR/> two pounds of wisdom.<BR/>More Luck than wisdom.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/M1996.01.29.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/M1996.01.29.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/M1996.01.29.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/M1996.01.29.jpg", "IsPrimary" : "1", "_SurrogateID" : "14200", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 86, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/86", "Disp_Access_No" : "M1996.01.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1656", "_Disp_Start_Dat" : "1656", "_Disp_End_Date" : "1656", "Disp_Title" : "The Medici Vase, from the series "Six Grand Views of Rome and the Countryside"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "from the series "Six Grand Views of Rome and the Countryside"", "Disp_Maker_1" : "Stefano della Bella", "Sort_Artist" : "della Bella, Stefano", "Disp_Dimen" : "12 3/4 x 9 3/4 in. (32.4 x 24.8 cm)", "Disp_Height" : "12 3/4 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "The I. Webb Surratt, Jr. Print Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "Prints", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The vase in this etching shows a frieze featuring Iphigenia crouching beneath a statue of Diana and surrounded by soldiers. The object was one of many artworks that the Medici family collected in their Roman villa in the seventeenth century. In this print, della Bella depicted the young Cosimo III de Medici drawing the famous Medici Vase; at the time, the future Grand Duke of Tuscany was the artist’s pupil.<BR/><BR/>-----<BR/><BR/>Lasting Impressions: Celebrating the Fifth Anniversary of the Joel and Lila Harnett Print Study Center<BR/>September 27, 2006 to December 08, 2006<BR/>An inventive genius of decoration and a master recorder of his times, Stefano della Bella created more than one thousand prints and drawings that reveal the manifestations of power, patronage, religion, fantasy, and every day life during Italy’s Baroque era. A student of French artist Jacques Callot, della Bella mastered the etching technique to become the designer-printmaker of the Medici grand-ducal court in Florence. As part of his duties, della Bella taught drawing to the young Cosimo de Medici III, depicted as sketching an Ancient vase set in the Medici gardens.<BR/> The almost 150 works by della Bella in the Harnett Print Study Center’s collection were given largely as part of the I. Webb Surratt, Jr., Print Collection. This generous gift began the University Museums’ active acquisition of prints for the permanent collection.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/M1996.01.38.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/M1996.01.38.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/M1996.01.38.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/M1996.01.38.jpg", "IsPrimary" : "1", "_SurrogateID" : "14226", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 93, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/93", "Disp_Access_No" : "M1996.01.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1646", "_Disp_Start_Dat" : "1646", "_Disp_End_Date" : "1646", "Disp_Title" : "View of the Pont Neuf in Paris", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stefano della Bella", "Sort_Artist" : "della Bella, Stefano", "Disp_Dimen" : "5 1/2 x 10 5/8 in. (14 x 27 cm)", "Disp_Height" : "5 1/2 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "The I. Webb Surratt, Jr. Print Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "Prints", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The print depicts a view of Paris across the Pont Neuf from a point between the buildings bounding the Place Dauphine. Other landmarks include the Hôtel de Nevers, the Tour de Nesle, and church of Saint Germain l’Auxerrois. The artist also captured a scene teeming with life, a microcosm of Paris in transit across the Seine, a total of 451 people, thirty-eight horses, nineteen dogs, three donkeys, and one lamb. </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/M1996.01.40.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/M1996.01.40.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/M1996.01.40.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/M1996.01.40.jpg", "IsPrimary" : "1", "_SurrogateID" : "14233", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 95, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/95", "Disp_Access_No" : "M1996.01.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1656", "_Disp_Start_Dat" : "1656", "_Disp_End_Date" : "1656", "Disp_Title" : "Map and View of the City of Arras", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stefano della Bella", "Sort_Artist" : "della Bella, Stefano", "Disp_Dimen" : "5 3/4 x 8 in. (14.6 x 20.3 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "The I. Webb Surratt, Jr. Print Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "Prints", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Della Bella was mainly employed by the Medici on a large and various number of projects, especially recording court festivals and notable events. In 1639, he journeyed to Paris and became active at the French court. This city view is <BR/>based on drawings commissioned by Louis XIV’s First Minister, Cardinal de Richelieu. It commemorates the victory of the French army under Louis XIII, who took back Arras from the Southern Netherlands in 1644. <BR/><BR/>-----<BR/><BR/>This is War! The Pain, Power, and Paradox of Images<BR/>October 05, 2008 to April 04, 2009<BR/>Baroque artist Stephano della Bella completed a series of war scenes in 1641 and continued to produce maps and scenes of important moments in the Thirty Years’ War even after its end in 1648. His naval scenes were commissioned by Cardinal Richelieu, who had established a strong French naval fleet in order to combat pirates and defend borders. Richelieu also commissioned specific battle scenes, such as della Bella’s depiction of the Seige of Arras.<BR/></SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/M1996.01.42.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/M1996.01.42.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/M1996.01.42.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/M1996.01.42.jpg", "IsPrimary" : "1", "_SurrogateID" : "14235", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3496, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3496", "Disp_Access_No" : "M2000.08.05", "_AccNumSort1" : "", "Disp_Create_DT" : "1661", "_Disp_Start_Dat" : "1661", "_Disp_End_Date" : "1661", "Disp_Title" : "The Entrance of the Prince of Tuscany, Representing Hercules, from the series Il Mondo Festeggiante (The Celebrating World)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "from the series Il Mondo Festeggiante (The Celebrating World)", "Disp_Maker_1" : "Stefano della Bella", "Sort_Artist" : "della Bella, Stefano", "Disp_Dimen" : "11 1/2 x 17 3/8 in. (29.2 x 44.1 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "17 3/8 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "Museum Purchase, The I. Webb Surratt, Jr. Print Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>This is an illustration for the Medici souvenir book that recorded the first of two festivals, Il Mondo Festeggiante, to celebrate the wedding of Prince Cosimo (the future Cosimo III) to Marguerite-Louise d’Orléans, the cousin of King Louis XIV. The festival was staged in 1661 in the Pitti Palace amphitheater in Florence, with seating to accommodate 20,000 guests. Cosimo himself, costumed as Hercules and flanked by torchbearers, rides below the huge figure of Atlas, left of center. Following the horse ballet <BR/>parade, Cosimo joined his bride in the box at the far left to watch the rest of the festival’s entertainment. </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/M2000.08.05.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/M2000.08.05.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/M2000.08.05.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/M2000.08.05.jpg", "IsPrimary" : "1", "_SurrogateID" : "16692", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3854", "Disp_Access_No" : "H2003.31.01.d", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1696", "_Disp_Start_Dat" : "1691", "_Disp_End_Date" : "1701", "Disp_Title" : "The Four Continents: L'Europe", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Bonnart", "Sort_Artist" : "Bonnart, Nicolas", "Disp_Dimen" : "11 3/16 x 7 11/16 in. (28.4 x 19.5 cm)", "Disp_Height" : "11 3/16 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "", "Medium" : "engraving and etching", "Support" : "laid paper", "Disp_Medium" : "engraving and etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, Harriet Grandis Print Acquisitions Fund.", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The iconography of the four continents dates to the sixteenth and seventeenth centuries, when Europe’s vision of the world was altered dramatically by the discovery and conquest of the New <BR/>World. In the Baroque era, the series of the four continents enjoyed immense appeal. The allegory was inserted into religious and liturgical settings as well as in political language. They were often interwoven with text, narratives, and stereotypes found in the many personifications of the continents.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2003.31.01d.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2003.31.01d.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2003.31.01d.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2003.31.01d.jpg", "IsPrimary" : "1", "_SurrogateID" : "17025", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3855, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3855", "Disp_Access_No" : "H2003.31.01.a", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1696", "_Disp_Start_Dat" : "1691", "_Disp_End_Date" : "1701", "Disp_Title" : "The Four Continents: L'Afrique", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Bonnart", "Sort_Artist" : "Bonnart, Nicolas", "Disp_Dimen" : "11 1/4 x 7 3/4 in. (28.6 x 19.7 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "7 3/4 in.", "Dimen_Extent" : "", "Medium" : "engraving and etching", "Support" : "laid paper", "Disp_Medium" : "engraving and etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, Harriet Grandis Print Acquisitions Fund.", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The iconography of the four continents dates to the sixteenth and seventeenth centuries, when Europe’s vision of the world was altered dramatically by the discovery and conquest of the New <BR/>World. In the Baroque era, the series of the four continents enjoyed immense appeal. The allegory was inserted into religious and liturgical settings as well as in political language. They were often interwoven with text, narratives, and stereotypes found in the many personifications of the continents.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2003.31.01a.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2003.31.01a.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2003.31.01a.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2003.31.01a.jpg", "IsPrimary" : "1", "_SurrogateID" : "17026", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3856, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3856", "Disp_Access_No" : "H2003.31.01.c", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1696", "_Disp_Start_Dat" : "1691", "_Disp_End_Date" : "1701", "Disp_Title" : "The Four Continents: L'Asie", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Bonnart", "Sort_Artist" : "Bonnart, Nicolas", "Disp_Dimen" : "11 1/4 x 7 3/4 in. (28.6 x 19.7 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "7 3/4 in.", "Dimen_Extent" : "", "Medium" : "engraving and etching", "Support" : "laid paper", "Disp_Medium" : "engraving and etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, Harriet Grandis Print Acquisitions Fund.", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The iconography of the four continents dates to the sixteenth and seventeenth centuries, when Europe’s vision of the world was altered dramatically by the discovery and conquest of the New <BR/>World. In the Baroque era, the series of the four continents enjoyed immense appeal. The allegory was inserted into religious and liturgical settings as well as in political language. They were often interwoven with text, narratives, and stereotypes found in the many personifications of the continents.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2003.31.01c.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2003.31.01c.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2003.31.01c.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2003.31.01c.jpg", "IsPrimary" : "1", "_SurrogateID" : "17027", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3857, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3857", "Disp_Access_No" : "H2003.31.01.b", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1696", "_Disp_Start_Dat" : "1691", "_Disp_End_Date" : "1701", "Disp_Title" : "The Four Continents: L'Amerique", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Bonnart", "Sort_Artist" : "Bonnart, Nicolas", "Disp_Dimen" : "11 1/4 x 7 3/4 in. (28.6 x 19.7 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "7 3/4 in.", "Dimen_Extent" : "", "Medium" : "engraving and etching", "Support" : "laid paper", "Disp_Medium" : "engraving and etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, Harriet Grandis Print Acquisitions Fund.", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The iconography of the four continents dates to the sixteenth and seventeenth centuries, when Europe’s vision of the world was altered dramatically by the discovery and conquest of the New <BR/>World. In the Baroque era, the series of the four continents enjoyed immense appeal. The allegory was inserted into religious and liturgical settings as well as in political language. They were often interwoven with text, narratives, and stereotypes found in the many personifications of the continents.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2003.31.01b.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2003.31.01b.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2003.31.01b.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2003.31.01b.jpg", "IsPrimary" : "1", "_SurrogateID" : "17028", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9217, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9217", "Disp_Access_No" : "H2006.11.02", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "VIRGINIÆ partis australis ET FLORIDÆ partis orientalis, . . .", "Alt_Title" : "", "Obj_Title" : "VIRGINIÆ partis australis ET FLORIDÆ partis orientalis interjacentiumq* regionum NOVA DESCRIPTIO", "Series_Title" : "", "Disp_Maker_1" : "Willem Janszoon Blaeu", "Sort_Artist" : "Blaeu, Willem Janszoon", "Disp_Dimen" : "15 1/8 x 19 7/8 in. (38.4 x 50.5 cm)", "Disp_Height" : "15 1/8 in.", "Disp_Width" : "19 7/8 in.", "Dimen_Extent" : "", "Medium" : "engraving with hand coloring", "Support" : "laid paper", "Disp_Medium" : "engraving with hand coloring on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>In 1633, Blaeu was appointed carto-grapher and hydrographer of the Dutch East India Company. Granted a trade monopoly by the Dutch government, the company prospered through most of the century. This elegantly designed map of the Eastern seaboard is decorated with Native American figures, overlapping compasses, and trade ships sailing to the coast. His prints are considered among the most influential and beautifully drawn maps of the Baroque period.<BR/><BR/>-----<BR/><BR/>News of the Colonies: Prints, Maps, and Perceptions of the New World<BR/>January 23, 2007 to April 28, 2007<BR/>From 1599 Willem Blaeu’s cartographic firm produced some of the finest maps in Europe, prized for their excellent engraving and rich decoration. This map was based upon a 1606 version of the Mercator-Hondius map and extends from the Chesapeake Bay to below Cape François along the coast, and west to the Appalachian Mountains and Lake Norman. First published in Le Thêátre du Monde, ou Nouvel Atlas, it was later copied by Jan Jansson for his Nieuwen Atlas of 1641 and several later editions. Note the coats of arms of Britain and France, as well as the claim of discoveries of gold and silver in the mountains and lakes of the Appalachians. (Anna Kim, graduate student, Jan. 2007)<BR/></SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2006.11.02.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2006.11.02.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2006.11.02.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2006.11.02.jpg", "IsPrimary" : "1", "_SurrogateID" : "1121", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9803, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9803", "Disp_Access_No" : "H2006.36.01", "_AccNumSort1" : "", "Disp_Create_DT" : "1624 (published in London)", "_Disp_Start_Dat" : "1624", "_Disp_End_Date" : "1624", "Disp_Title" : "Ould Virginia: A Description of Part of the Adventures of Cap: Smith in Virginia", "Alt_Title" : "", "Obj_Title" : "Ould Virginia: A Description of Part of the Adventures of Cap: Smith in Virginia, from John Smith’s The Generall Historie of Virginia, New-England, and the Summer Isles", "Series_Title" : "John Smith’s The Generall Historie of Virginia, New-England, and the Summer Isles", "Disp_Maker_1" : "Robert Vaughan", "Sort_Artist" : "Vaughan, Robert", "Disp_Dimen" : "10 7/8 x 14 in. (27.6 x 35.6 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "", "Medium" : "engraving", "Support" : "paper", "Disp_Medium" : "engraving on paper", "Info_Page_Comm" : "", "Dedication" : "Museum Purchase", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>By 1609, the Powhatan tribe realized that the English settlers were there to stay. The Native Americans began attacking the settlers, killing their livestock and burning their plants. In the following years, the colonists conducted search-and-destroy raids on Powhatan settlements. Both sides committed atrocities against the other until the Powhatans were forced into a truce. As the English settlements in Virginia expanded, the population and self-governance of the Powhatan tribe decreased.<BR/><BR/>-----<BR/><BR/>News of the Colonies: Prints, Maps, and Perceptions of the New World<BR/>January 23, 2007 to April 28, 2007<BR/>This compilation of scenes from the adventures of John Smith in Virginia were based upon the earlier engravings of Theodor de Bry and provide a synopsis of Smith’s relations with the native Powhatans of the region. <BR/> The scene at bottom right, once thought to depict Pocohontas’ rescue of Smith from death, is now interpreted as reflecting the ceremonial induction of the colonist into Powhatan society. Note the inclusion of Smith’s map of Virginia, which played a formative role in European depictions of the region for nearly a century. (Anna Kim, graduate student, Jan. 2007)</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2006.36.01.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2006.36.01.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2006.36.01.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2006.36.01.jpg", "IsPrimary" : "1", "_SurrogateID" : "1624", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9806, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9806", "Disp_Access_No" : "H2006.37.01", "_AccNumSort1" : "", "Disp_Create_DT" : "1606 (published in Germany, 1648)", "_Disp_Start_Dat" : "1606", "_Disp_End_Date" : "1606", "Disp_Title" : "Von Virginia, from Mercator-Hondius Atlas Minor, Third Series", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "from Mercator-Hondius Atlas Minor, Third Series", "Disp_Maker_1" : "Jodocus Hondius", "Sort_Artist" : "Hondius, Jodocus", "Disp_Dimen" : "5 7/8 x 7 1/2 in. (14.9 x 19.1 cm)", "Disp_Height" : "5 7/8 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "", "Medium" : "engraving with hand coloring", "Support" : "laid paper", "Disp_Medium" : "engraving with hand coloring on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Hondius is known for revitalizing the cartographic work of Gerard Mercator by republishing his Atlas with additional maps. There were fifty editions of his Atlas Minor in the main European languages, including this map printed in German in 1648. The rivalry between Hondius and fellow cartographer Willem Blaeu pushed each to higher standards of quality and accuracy in their maps, and they dominated the market in the seventeenth century.<BR/><BR/>-----<BR/><BR/>News of the Colonies: Prints, Maps, and Perceptions of the New World<BR/>January 23, 2007 to April 28, 2007<BR/>The unusual orientation of this map is derived from the John Smith map, the prototype for numerous copies throughout the century. This map (the third variant of Smith’s original) was included in a mid-century edition of Gerard Mercator’s Atlas, which Hondius printed at a reduced size to be easier for handling. </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2006.37.01.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2006.37.01.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2006.37.01.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2006.37.01.jpg", "IsPrimary" : "1", "_SurrogateID" : "1627", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11308, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11308", "Disp_Access_No" : "H2007.13.03", "_AccNumSort1" : "", "Disp_Create_DT" : "1621", "_Disp_Start_Dat" : "1621", "_Disp_End_Date" : "1621", "Disp_Title" : "Portrait of Carolus de Longueval, Count of Buquoy, Baron of Vaux", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Aegidius Sadeler", "Sort_Artist" : "Sadeler, Aegidius", "Disp_Dimen" : "15 9/16 x 10 3/8 in. (39.5 x 26.4 cm)", "Disp_Height" : "15 9/16 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "image", "Medium" : "engraving", "Support" : "laid paper", "Disp_Medium" : "engraving on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund ", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "New at the Harnett August 18, 2010 to October 03, 2010 A member of a successful family of Flemish engravers, Sadeler was the imperial artist to the Austrian Hapsburg court in the seventeenth century. He recorded the visits to Emperor Rudolf II made by various rulers and noblemen through engraved portraits with political iconography, figural scenes, and landscapes. His format included an oval emblem enframing the sitter, surrounded by mythical symbols and intricate images of battle scenes, here a battle during the Thirty Years’ War, that served to heighten the sitter’s importance. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2007.13.03.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2007.13.03.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2007.13.03.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2007.13.03.jpg", "IsPrimary" : "1", "_SurrogateID" : "3069", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12571, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12571", "Disp_Access_No" : "H2008.01.070", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650s", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "Noah and the Animals Entering the Ark", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "8 x 15 3/4 in. (20.3 x 40 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "15 3/4 in.", "Dimen_Extent" : "Image", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Richmond Public Library Board of Trustees, by transfer", "Copyright_Type" : "", "Disp_Obj_Type" : "Prints", "Creation_Place2" : "Italy", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Castiglione was a Genoese painter first strongly influenced by Peter Paul Rubens and Anthony van Dyck, visiting artists in that city early in the seventeenth century, and later by Rembrandt, whose works he knew through prints. A great colorist, he was renowned as a painter of animals. Indeed, he rendered the present sacred subject from the Old Testament of the story of Noah and the ark primarily focusing on the animal component.<BR/><BR/>-----<BR/><BR/>Building the Collection: Recent Acquisitions in the Harnett Print Study Center<BR/>August 21, 2008 to September 21, 2008<BR/>Castiglione’s work was highly romantic in style, mainly depicting images of religious and mythological nature. His lifelong travels throughout Italy influenced his use of classical ruins, natural landscapes, and herds of animals as subjects.<BR/> The artist studied the work of his Flemish contemporaries Anthony van Dyck and Peter Paul Rubens and their use of shading. Castiglione’s prints became popular in the eighteenth century and were avidly collected by members of the aristocracy. His art greatly influenced later artists, such as Venetian printmakers in the late 1700s, who admired his classical style.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2008.01.070.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2008.01.070.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2008.01.070.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2008.01.070.jpg", "IsPrimary" : "1", "_SurrogateID" : "4043", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13216, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13216", "Disp_Access_No" : "H2008.21.11", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1605", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1610", "Disp_Title" : "October from the series Twelve Months of the Year", "Alt_Title" : "", "Obj_Title" : "October from the series 12 Months of the Year", "Series_Title" : "from the series Twelve Months of the Year", "Disp_Maker_1" : "Adriaen Collaert", "Sort_Artist" : "Collaert, Adriaen", "Disp_Dimen" : "7 1/2 x 10 3/8 in. (19.1 x 26.4 cm)", "Disp_Height" : "7 1/2 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "Image", "Medium" : "engraving", "Support" : "paper", "Disp_Medium" : "engraving on paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The Collaert brothers completed many categorical series. Their compositions often included decorative borders consisting of flowers, animals, and other natural and allegorical elements. The two prints from this series include the zodiac signs attributed to the two months, the Scorpio and the Gemini. Partly due to interest generated by the age of exploration, cosmology and astrology were popular sciences. <BR/><BR/>-----<BR/><BR/>New at the Harnett<BR/>August 18, 2010 to October 03, 2010<BR/>These landscapes show the influence of both Flemish and Italian art with high, atmospheric perspectives and a distinct foreground and background. These prints, based on de Momper’s twelve months of the year, reflect the rising interest in both astrology and astronomy in the seventeenth century with the inclusion of the signs of the zodiac, here Gemini and Scorpio, that are rendered in the sky. <BR/></SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2008.21.11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2008.21.11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2008.21.11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2008.21.11.jpg", "IsPrimary" : "1", "_SurrogateID" : "19125", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13219, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13219", "Disp_Access_No" : "H2008.22.01", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1605", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1610", "Disp_Title" : "Maius (May) from the series Twelve Months of the Year", "Alt_Title" : "", "Obj_Title" : "Maius from the series Twelve Months of the Year", "Series_Title" : "from the series Twelve Months of the Year", "Disp_Maker_1" : "Adriaen Collaert", "Sort_Artist" : "Collaert, Adriaen", "Disp_Dimen" : "7 1/2 x 10 1/4 in. (19.1 x 26 cm)", "Disp_Height" : "7 1/2 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "Image", "Medium" : "engraving", "Support" : "paper", "Disp_Medium" : "engraving on paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The Collaert brothers completed many categorical series. Their compositions often included decorative borders consisting of flowers, animals, and other natural and allegorical elements. The two prints from this series include the zodiac signs attributed to the two months, the Scorpio and the Gemini. Partly due to interest generated by the age of exploration, cosmology and astrology were popular sciences. <BR/><BR/>-----<BR/><BR/>New at the Harnett<BR/>August 18, 2010 to October 03, 2010<BR/>These landscapes show the influence of both Flemish and Italian art with high, atmospheric perspectives and a distinct foreground and background. These prints, based on de Momper’s twelve months of the year, reflect the rising interest in both astrology and astronomy in the seventeenth century with the inclusion of the signs of the zodiac, here Gemini and Scorpio, that are rendered in the sky. <BR/></SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2008.22.01.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2008.22.01.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2008.22.01.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2008.22.01.jpg", "IsPrimary" : "1", "_SurrogateID" : "19127", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20531, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20531", "Disp_Access_No" : "H2014.08.01", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1660s", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1665", "Disp_Title" : "The Little Hunchback", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anthonie Waterloo", "Sort_Artist" : "Waterloo, Anthonie", "Disp_Dimen" : "11 3/8 x 9 1/4 in. (28.9 x 23.5 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "9 1/4 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Seventeenth-Century Dutch Landscapes: Museum Studies Seminar Exhibition March 31 to May 15, 2015 Waterloo is known to be a prolific artist during the seventeenth century. He is primarily known for his prints, however he also was a painter. He popularized the genre of the Dutch landscape, and usually produced his prints in series. He is credited with doing very detailed accounts of landscapes and topographical pieces throughout his career. During this time Dutch artists were not just looking at their native landscapes, but at Italian landscapes as well. Waterloo is known to have traveled to Italy and sometimes embodies the Italian style in his art. — Ellie Iverson", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2014.08.01.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2014.08.01.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2014.08.01.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2014.08.01.jpg", "IsPrimary" : "1", "_SurrogateID" : "20621", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19723, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19723", "Disp_Access_No" : "H2011.22.06", "_AccNumSort1" : "", "Disp_Create_DT" : "1653", "_Disp_Start_Dat" : "1653", "_Disp_End_Date" : "1653", "Disp_Title" : "The Peasants' Quarrel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adriaen van Ostade", "Sort_Artist" : "Ostade, Adriaen van", "Disp_Dimen" : "4 1/2 x 5 5/8 in. (11.4 x 14.3 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "5 5/8 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "Gift in memory of Dr. and Mrs. Milton J. Goodfriend", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The rough-and-tumble nature of the subject belies its careful composition. Indeed, Ostade’s artfulness and skill are too easily overlooked. <BR/><BR/>-----<BR/><BR/>Idea to Image: Process, States, and Proofs from the Print Collection<BR/>October 16, 2011 to April 1, 2012<BR/>At the bottom is Deuchar’s late eighteenth-century copy of the van Ostade etching at the top. The van Ostade print is the seventh state of eight states.<BR/> The Deuchar copy was meant to be deceptive, and it includes the signature “A. Ostade” with no mention of Deuchar as the copyist, and in fact it is not a very good copy of the original image. In addition to his own engravings and etchings, the artist did many similar works after van Ostade, Hollar, and Rembrandt, only rarely indicating that he was the copyist. <BR/></SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2011.22.06.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2011.22.06.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2011.22.06.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2011.22.06.jpg", "IsPrimary" : "1", "_SurrogateID" : "19734", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19764, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19764", "Disp_Access_No" : "H2011.28.09", "_AccNumSort1" : "", "Disp_Create_DT" : "1625", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1625", "Disp_Title" : "Triumph of the Virgin (“The Small Thesis”)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "21 3/4 x 14 in. (55.2 x 35.6 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "image", "Medium" : "etching and engraving", "Support" : "laid paper", "Disp_Medium" : "etching and engraving on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The Order of the Friars Minor of the city of Nancy, Lorraine, commissioned this print to honor a thesis defense by one of their friars. The print states the point of the argument on placards and banners throughout the scene. The argument defends the Immaculate Conception of the Virgin Mary, but the composition is unusual for a thesis print as it prioritizes pictorial concerns over the presentation of the argument. The image is composed like a frontal triumphal presentation. In the foreground, a female figure crushes a demon and both sides are decorated with allegorical personalities that celebrate the Virgin’s rightfulness.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2011.28.09.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2011.28.09.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2011.28.09.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2011.28.09.jpg", "IsPrimary" : "1", "_SurrogateID" : "19771", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19785, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19785", "Disp_Access_No" : "H2012.02.01", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1620s (published in Venice 1636)", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1625", "Disp_Title" : "Studies of Heads and Torsos from the series Principles of Drawing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "from the series Principles of Drawing", "Disp_Maker_1" : "Jacopo Palma", "Sort_Artist" : "Jacopo Palma, il Giovane", "Disp_Dimen" : "5 3/4 x 8 1/8 in. (14.6 x 20.6 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "8 1/8 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "Gift in memory of Dr. and Mrs. Milton J. Goodfriend", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>After the death of Jacopo Tintoretto (circa 1518-1594), Palma became the most prominent artist of the Venetian Republic to perpetuate his style. This print demonstrates Palma’s adoption of a more naturalistic style than that of his Mannerist predecessor, while maintaining a Venetian approach heavily dependent on shading rather than line. </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2012.02.01.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2012.02.01.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2012.02.01.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2012.02.01.jpg", "IsPrimary" : "1", "_SurrogateID" : "19792", "Image_Type" : "Digital", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19948, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19948", "Disp_Access_No" : "H2012.07.02", "_AccNumSort1" : "", "Disp_Create_DT" : "1687", "_Disp_Start_Dat" : "1687", "_Disp_End_Date" : "1687", "Disp_Title" : "The Anatomy of an Horse", "Alt_Title" : "", "Obj_Title" : "The Anatomy of an Horse: Containing An exact and full Description of the Frame, Situation and Connexion of all his Parts, (with their Actions and Uses) exprest in Forty nine Copper-plates : To which is Added An Appendix, containing two Discourses: The one, of the GENERATION of ANIMALS: And the other, of the MOTION of the CHYLE, and the CIRCULATION of the BLOUD", "Series_Title" : "", "Disp_Maker_1" : "Andrew Snape", "Sort_Artist" : "Snape, Andrew", "Disp_Dimen" : "14 1/4 x 9 1/2 x 1 1/2 in. (36.2 x 24.1 x 3.8 cm)", "Disp_Height" : "14 1/4 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "", "Medium" : "book", "Support" : "", "Disp_Medium" : "book", "Info_Page_Comm" : "", "Dedication" : "Gift of Susan E. Hughes", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2012.07.02.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2012.07.02.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2012.07.02.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2012.07.02.jpg", "IsPrimary" : "1", "_SurrogateID" : "19954", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20355, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20355", "Disp_Access_No" : "H2013.14.05", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1629-1641", "_Disp_Start_Dat" : "1629", "_Disp_End_Date" : "1641", "Disp_Title" : "Landscape with Pan and Syrinx", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Herman van Swanevelt", "Sort_Artist" : "Swanevelt, Herman van", "Disp_Dimen" : "5 3/4 x 8 1/4 in. (14.6 x 21 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "laid paper", "Disp_Medium" : "etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The nymph Syrinx was a chaste follower of Diana who was pursued by the lusty demigod Pan. She was saved from his advances by being turned into reeds which made musical sounds when the exhausted Pan blew upon them - hence Pan pipes. This beautiful interpretation focuses more on the woodland setting than on the individual figures. Swanevelt’s tonal approach bears comparison with his contemporary Claude Lorrain, but his trees are much more mannered in their agitated articulation.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2013.14.05.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2013.14.05.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2013.14.05.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2013.14.05.jpg", "IsPrimary" : "1", "_SurrogateID" : "20429", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20383, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20383", "Disp_Access_No" : "H2013.23.01", "_AccNumSort1" : "", "Disp_Create_DT" : "1613", "_Disp_Start_Dat" : "1613", "_Disp_End_Date" : "1613", "Disp_Title" : "The Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goudt", "Sort_Artist" : "Goudt, Hendrick", "Disp_Dimen" : "11 1/2 x 15 1/2 in. (29.2 x 39.4 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "image", "Medium" : "etching and engraving", "Support" : "paper", "Disp_Medium" : "etching and engraving on paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The story of the flight into Egypt is told in the Gospel of Matthew (Matthew 2:13-23). After the Magi learned that King Herod <BR/>intended to kill infants in the area, an angel appeared to Joseph in a dream telling him to flee to Egypt with Mary <BR/>and the infant Jesus. In his lifetime, Goudt produced a total of just seven prints, all after paintings by Elsheimer, with whom he shared a residence in Rome from about 1604 to 1610. In this print, made after Goudt returned to his native Netherlands, he employed dense crosshatching to achieve remarkably dark tonalities and subtle gradations. <BR/><BR/>-----<BR/><BR/><BR/>Seventeenth-Century Dutch Landscapes: Museum Studies Seminar Exhibition<BR/>March 31 to May 15, 2015<BR/>Goudt was one of the great Dutch artists of the seventeenth Century and was known for his technique of conveying light and shade. The print is one of seven etchings based on paintings by the artist Elsheimer. What makes this print stand out is the way lighting is portrayed. Goudt uses lines that cross over each other to create depth in the dark parts of the etching and he uses short stops by the burin to get the illusion of light. The light is mentioned in the inscription, which reads in part: “Light of the world fleeing into darkness.”<BR/><BR/> — Clara Axner<BR/></SPAN>", "Images": [ ] },{ "embark_ID" : 20653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20653", "Disp_Access_No" : "H2014.19.07", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "Cain and Abel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jonas Umbach", "Sort_Artist" : "Umbach, Jonas", "Disp_Dimen" : "3 x 4 3/4 in. (7.6 x 12.1 cm)", "Disp_Height" : "3 in.", "Disp_Width" : "4 3/4 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2014.19.07.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2014.19.07.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2014.19.07.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2014.19.07.jpg", "IsPrimary" : "1", "_SurrogateID" : "20750", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20730, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20730", "Disp_Access_No" : "H2014.21.01", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650s", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "The Wandering Herd", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gerrit Claesz Bleker", "Sort_Artist" : "Bleker, Gerrit Claesz", "Disp_Dimen" : "6 x 9 1/2 in. (15.2 x 24.1 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "etching", "Support" : "laid paper", "Disp_Medium" : "etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>This print is characteristic of Bleker’s work, which focused on landscapes, in addition to historic scenes and portraits. He was a printmaker, painter, and draftsman in the Northern Netherlands, where he was part of the Haarlem Guild of Saint Luke. Familiar items, such as cows and shepherds, communicated the pride of Dutch citizens in their nation’s success, its prosperous dairy industry, and celebrated the beauty of the Dutch countryside. <BR/><BR/>----<BR/><BR/>Seventeenth-Century Dutch Landscapes: Museum Studies Seminar Exhibition<BR/>March 31 to May 15, 2015<BR/>This print by Bleker is characteristic of his work, which focused on landscapes, in addition to historic scenes, cavalry scenes, and portraits. He was a printmaker, painter, and draftsman in the Northern Netherlands, where he was part of the Haarlem Guild of Saint Luke. Familiar items, such as cows and shepherds communicated the pride Dutch citizens had in their nation’s success. These herds were very important to the Dutch Republic’s prosperous dairy industry. This print, and similar landscape scenes of the time, celebrated the beauty and cultivation of land, rather than the destruction of war.<BR/><BR/> — Sarah Restivo</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2014.21.01.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2014.21.01.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2014.21.01.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2014.21.01.jpg", "IsPrimary" : "1", "_SurrogateID" : "20827", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21067, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21067", "Disp_Access_No" : "H2015.05.02", "_AccNumSort1" : "", "Disp_Create_DT" : "1620", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Dawn, from the series The Four Times of Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "The Four Times of Day", "Disp_Maker_1" : "Jan van de Velde II", "Sort_Artist" : "Velde II, Jan van de", "Disp_Dimen" : "6 3/8 x 3 9/16 in. (16.2 x 9 cm)", "Disp_Height" : "6 3/8 in.", "Disp_Width" : "3 9/16 in.", "Dimen_Extent" : "image", "Medium" : "etching and engraving", "Support" : "laid paper", "Disp_Medium" : "etching and engraving on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Jan van de Velde II was an engraver of animal, landscape, and still life subjects. This series shows the integration of nature and civilization, depicting groups of people gathering over the course of the day. His treatment of the sky, foliage, architecture, and figures present a harmonious relationship. The print of Evening illustrates the biblical parable of the Good Samaritan.<BR/><BR/>-----<BR/><BR/>Seventeenth-Century Dutch Landscapes: Museum Studies Seminar Exhibition<BR/>March 31 to May 15, 2015<BR/>Van de Velde spent much of his career working in Haarlem and helped to shape the distinctive look of Dutch landscapes in the seventeenth century. His close hatching establishes a strong sense of darkness in the shaded areas of his works, and so creates an impressive illusion of lighting within the unmarked areas of the paper. Such a technique allows his depictions of the dawn, midday, evening, and night to appear that much more striking.<BR/><BR/> — Andrew Olmsted</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2015.05.02.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2015.05.02.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2015.05.02.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2015.05.02.jpg", "IsPrimary" : "1", "_SurrogateID" : "21190", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21068", "Disp_Access_No" : "H2015.05.03", "_AccNumSort1" : "", "Disp_Create_DT" : "1620", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Midday, from the series The Four Times of Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "The Four Times of Day", "Disp_Maker_1" : "Jan van de Velde II", "Sort_Artist" : "Velde II, Jan van de", "Disp_Dimen" : "6 3/8 x 3 1/2 in. (16.2 x 8.9 cm)", "Disp_Height" : "6 3/8 in.", "Disp_Width" : "3 1/2 in.", "Dimen_Extent" : "image", "Medium" : "etching and engraving", "Support" : "laid paper", "Disp_Medium" : "etching and engraving on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Jan van de Velde II was an engraver of animal, landscape, and still life subjects. This series shows the integration of nature and civilization, depicting groups of people gathering over the course of the day. His treatment of the sky, foliage, architecture, and figures present a harmonious relationship. The print of Evening illustrates the biblical parable of the Good Samaritan.<BR/><BR/>-----<BR/><BR/>Seventeenth-Century Dutch Landscapes: Museum Studies Seminar Exhibition<BR/>March 31 to May 15, 2015<BR/>Van de Velde spent much of his career working in Haarlem and helped to shape the distinctive look of Dutch landscapes in the seventeenth century. His close hatching establishes a strong sense of darkness in the shaded areas of his works, and so creates an impressive illusion of lighting within the unmarked areas of the paper. Such a technique allows his depictions of the dawn, midday, evening, and night to appear that much more striking.<BR/><BR/> — Andrew Olmsted</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2015.05.03.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2015.05.03.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2015.05.03.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2015.05.03.jpg", "IsPrimary" : "1", "_SurrogateID" : "21191", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21069", "Disp_Access_No" : "H2015.05.04", "_AccNumSort1" : "", "Disp_Create_DT" : "1620", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Evening, from the series The Four Times of Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "The Four Times of Day", "Disp_Maker_1" : "Jan van de Velde II", "Sort_Artist" : "Velde II, Jan van de", "Disp_Dimen" : "6 7/16 x 3 5/8 in. (16.4 x 9.2 cm)", "Disp_Height" : "6 7/16 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "image", "Medium" : "etching and engraving", "Support" : "laid paper", "Disp_Medium" : "etching and engraving on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Jan van de Velde II was an engraver of animal, landscape, and still life subjects. This series shows the integration of nature and civilization, depicting groups of people gathering over the course of the day. His treatment of the sky, foliage, architecture, and figures present a harmonious relationship. The print of Evening illustrates the biblical parable of the Good Samaritan.<BR/><BR/>-----<BR/><BR/>Seventeenth-Century Dutch Landscapes: Museum Studies Seminar Exhibition<BR/>March 31 to May 15, 2015<BR/>Van de Velde spent much of his career working in Haarlem and helped to shape the distinctive look of Dutch landscapes in the seventeenth century. His close hatching establishes a strong sense of darkness in the shaded areas of his works, and so creates an impressive illusion of lighting within the unmarked areas of the paper. Such a technique allows his depictions of the dawn, midday, evening, and night to appear that much more striking.<BR/><BR/> — Andrew Olmsted</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2015.05.04.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2015.05.04.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2015.05.04.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2015.05.04.jpg", "IsPrimary" : "1", "_SurrogateID" : "21192", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21070, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21070", "Disp_Access_No" : "H2015.05.05", "_AccNumSort1" : "", "Disp_Create_DT" : "1620", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Night, from the series The Four Times of Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "The Four Times of Day", "Disp_Maker_1" : "Jan van de Velde II", "Sort_Artist" : "Velde II, Jan van de", "Disp_Dimen" : "6 5/16 x 3 9/16 in. (16 x 9 cm)", "Disp_Height" : "6 5/16 in.", "Disp_Width" : "3 9/16 in.", "Dimen_Extent" : "image", "Medium" : "etching and engraving", "Support" : "laid paper", "Disp_Medium" : "etching and engraving on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Jan van de Velde II was an engraver of animal, landscape, and still life subjects. This series shows the integration of nature and civilization, depicting groups of people gathering over the course of the day. His treatment of the sky, foliage, architecture, and figures present a harmonious relationship. The print of Evening illustrates the biblical parable of the Good Samaritan.<BR/><BR/>-----<BR/><BR/>Seventeenth-Century Dutch Landscapes: Museum Studies Seminar Exhibition<BR/>March 31 to May 15, 2015<BR/>Van de Velde spent much of his career working in Haarlem and helped to shape the distinctive look of Dutch landscapes in the seventeenth century. His close hatching establishes a strong sense of darkness in the shaded areas of his works, and so creates an impressive illusion of lighting within the unmarked areas of the paper. Such a technique allows his depictions of the dawn, midday, evening, and night to appear that much more striking.<BR/><BR/> — Andrew Olmsted</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2015.05.05.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2015.05.05.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2015.05.05.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2015.05.05.jpg", "IsPrimary" : "1", "_SurrogateID" : "21193", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21304, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21304", "Disp_Access_No" : "H2015.15.01", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1645-1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1650", "Disp_Title" : "Bearded man wearing a turban ornamented with fur", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "4 1/8 x 2 3/4 in. (10.5 x 7 cm)", "Disp_Height" : "4 1/8 in.", "Disp_Width" : "2 3/4 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "laid paper", "Disp_Medium" : "etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Rembrandt’s influence on Castiglione is nowhere more evident than in this series, which was directly inspired by the Dutch artist’s etchings of four Oriental Heads, made in 1635. Like Rembrandt, while Castiglione delights in the exotic costumes of his Middle Eastern subjects, he also attempts, successfully, to give them convincing individual personalities. In the end, it is human drama, as much as fancy dress, that gives this group its interest. </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2015.15.01.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2015.15.01.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2015.15.01.tif", "IIIF_URL": "http://iiif.gallerysystems.com/H2015.15.01.tif", "IsPrimary" : "1", "_SurrogateID" : "21439", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21305", "Disp_Access_No" : "H2015.15.02", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1645-1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1650", "Disp_Title" : "Man wearing a small turban ornamented with plumes and ribbon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "3 3/4 x 2 3/4 in. (9.5 x 7 cm)", "Disp_Height" : "3 3/4 in.", "Disp_Width" : "2 3/4 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "laid paper", "Disp_Medium" : "etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Rembrandt’s influence on Castiglione is nowhere more evident than in this series, which was directly inspired by the Dutch artist’s etchings of four Oriental Heads, made in 1635. Like Rembrandt, while Castiglione delights in the exotic costumes of his Middle Eastern subjects, he also attempts, successfully, to give them convincing individual personalities. In the end, it is human drama, as much as fancy dress, that gives this group its interest. </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2015.15.02.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2015.15.02.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2015.15.02.tif", "IIIF_URL": "http://iiif.gallerysystems.com/H2015.15.02.tif", "IsPrimary" : "1", "_SurrogateID" : "21440", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21306, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21306", "Disp_Access_No" : "H2015.15.03", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1645-1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1650", "Disp_Title" : "Old man wearing a turban, ornamented with fur, facing right", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "4 5/16 x 3 1/4 in. 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In the end, it is human drama, as much as fancy dress, that gives this group its interest. </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2015.15.06.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2015.15.06.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2015.15.06.tif", "IIIF_URL": "http://iiif.gallerysystems.com/H2015.15.06.tif", "IsPrimary" : "1", "_SurrogateID" : "21444", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21310, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21310", "Disp_Access_No" : "H2015.15.07", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1645-1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1650", "Disp_Title" : "Old man wearing a fur cap, looking downwards, facing left", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "4 x 3 1/8 in. 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In the end, it is human drama, as much as fancy dress, that gives this group its interest. </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2015.15.07.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2015.15.07.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2015.15.07.tif", "IIIF_URL": "http://iiif.gallerysystems.com/H2015.15.07.tif", "IsPrimary" : "1", "_SurrogateID" : "21445", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21311, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21311", "Disp_Access_No" : "H2015.15.08", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1645-1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1650", "Disp_Title" : "Young man wearing a fur headdress with a headband", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "4 1/8 x 3 1/8 in. (10.5 x 7.9 cm)", "Disp_Height" : "4 1/8 in.", "Disp_Width" : "3 1/8 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "laid paper", "Disp_Medium" : "etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Rembrandt’s influence on Castiglione is nowhere more evident than in this series, which was directly inspired by the Dutch artist’s etchings of four Oriental Heads, made in 1635. Like Rembrandt, while Castiglione delights in the exotic costumes of his Middle Eastern subjects, he also attempts, successfully, to give them convincing individual personalities. In the end, it is human drama, as much as fancy dress, that gives this group its interest. </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2015.15.08.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2015.15.08.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2015.15.08.tif", "IIIF_URL": "http://iiif.gallerysystems.com/H2015.15.08.tif", "IsPrimary" : "1", "_SurrogateID" : "21446", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 23771, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/23771", "Disp_Access_No" : "H2017.24.01", "_AccNumSort1" : "", "Disp_Create_DT" : "1612", "_Disp_Start_Dat" : "1612", "_Disp_End_Date" : "1612", "Disp_Title" : "Cupid Dancing with Two Nymphs", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paulus Moreelse", "Sort_Artist" : "Moreelse, Paulus", "Disp_Dimen" : "9 3/8 x 11 1/2 in. (23.8 x 29.2 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "image", "Medium" : "chiaroscuro woodcut with gray tone block and black line block", "Support" : "paper", "Disp_Medium" : "chiaroscuro woodcut with gray tone block and black line block on paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Moreelse was a painter from Utrecht, the center of Carravaggism in the Netherlands. However, this print is from early in his career and shows a delicate Mannerist approach with highly articulated bodies. The rather generic subject is shown in a decorative frame and is suggestive of a wall decoration. A chiaroscuro woodcut is a multi-colored print produced from several blocks.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2017.24.01.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2017.24.01.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2017.24.01.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2017.24.01.jpg", "IsPrimary" : "1", "_SurrogateID" : "24022", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28029", "Disp_Access_No" : "H2018.07.01", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "Les Noblesse [woman looking right]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "5 5/8 x 3 5/8 in. (14.3 x 9.2 cm)", "Disp_Height" : "5 5/8 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "laid paper", "Disp_Medium" : "etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Callot, whose production ran to around 2000 prints, was innovative both in technique - he advanced various refinements in the art of etching including new tools and ways of printing - and subject matter, finding inspiration especially in out-of-the-ordinary subjects from contemporary life. Perhaps amused by the extravagance of costumes worn by his aristocratic subjects, Callot has included in this series of nobility a self portrait (top row in the middle), his brother (second row on the left), his sister (third row in the middle), and his future wife (top row on the left and bottom row on the right). </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.07.01.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.07.01.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.07.01.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.07.01.jpg", "IsPrimary" : "1", "_SurrogateID" : "29199", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28030", "Disp_Access_No" : "H2018.07.02", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "Les Noblesse [the artist's brother]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "5 5/8 x 3 5/8 in. (14.3 x 9.2 cm)", "Disp_Height" : "5 5/8 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "laid paper", "Disp_Medium" : "etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Callot, whose production ran to around 2000 prints, was innovative both in technique - he advanced various refinements in the art of etching including new tools and ways of printing - and subject matter, finding inspiration especially in out-of-the-ordinary subjects from contemporary life. Perhaps amused by the extravagance of costumes worn by his aristocratic subjects, Callot has included in this series of nobility a self portrait (top row in the middle), his brother (second row on the left), his sister (third row in the middle), and his future wife (top row on the left and bottom row on the right). </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.07.02.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.07.02.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.07.02.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.07.02.jpg", "IsPrimary" : "1", "_SurrogateID" : "29200", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28031", "Disp_Access_No" : "H2018.07.03", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "Les Noblesse [man facing right]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "5 5/8 x 3 5/8 in. (14.3 x 9.2 cm)", "Disp_Height" : "5 5/8 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "laid paper", "Disp_Medium" : "etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Callot, whose production ran to around 2000 prints, was innovative both in technique - he advanced various refinements in the art of etching including new tools and ways of printing - and subject matter, finding inspiration especially in out-of-the-ordinary subjects from contemporary life. Perhaps amused by the extravagance of costumes worn by his aristocratic subjects, Callot has included in this series of nobility a self portrait (top row in the middle), his brother (second row on the left), his sister (third row in the middle), and his future wife (top row on the left and bottom row on the right). </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.07.03.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.07.03.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.07.03.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.07.03.jpg", "IsPrimary" : "1", "_SurrogateID" : "29201", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28032", "Disp_Access_No" : "H2018.07.04", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "Les Noblesse [Marguerite Callot, the artists sister]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "5 5/8 x 3 5/8 in. 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Perhaps amused by the extravagance of costumes worn by his aristocratic subjects, Callot has included in this series of nobility a self portrait (top row in the middle), his brother (second row on the left), his sister (third row in the middle), and his future wife (top row on the left and bottom row on the right). </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.07.06.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.07.06.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.07.06.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.07.06.jpg", "IsPrimary" : "1", "_SurrogateID" : "29204", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28035", "Disp_Access_No" : "H2018.07.07", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "Les Noblesse [soldier facing viewer]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "5 5/8 x 3 5/8 in. 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Perhaps amused by the extravagance of costumes worn by his aristocratic subjects, Callot has included in this series of nobility a self portrait (top row in the middle), his brother (second row on the left), his sister (third row in the middle), and his future wife (top row on the left and bottom row on the right). </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.07.07.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.07.07.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.07.07.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.07.07.jpg", "IsPrimary" : "1", "_SurrogateID" : "29205", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28036", "Disp_Access_No" : "H2018.07.08", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "Les Noblesse [woman facing left]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "5 5/8 x 3 5/8 in. 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Perhaps amused by the extravagance of costumes worn by his aristocratic subjects, Callot has included in this series of nobility a self portrait (top row in the middle), his brother (second row on the left), his sister (third row in the middle), and his future wife (top row on the left and bottom row on the right). </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.07.08.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.07.08.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.07.08.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.07.08.jpg", "IsPrimary" : "1", "_SurrogateID" : "29206", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28037, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28037", "Disp_Access_No" : "H2018.07.09", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "Les Noblesse [woman facing viewer]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "5 5/8 x 3 5/8 in. 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Perhaps amused by the extravagance of costumes worn by his aristocratic subjects, Callot has included in this series of nobility a self portrait (top row in the middle), his brother (second row on the left), his sister (third row in the middle), and his future wife (top row on the left and bottom row on the right). </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.07.09.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.07.09.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.07.09.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.07.09.jpg", "IsPrimary" : "1", "_SurrogateID" : "29207", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28038", "Disp_Access_No" : "H2018.07.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "Les Noblesse [soldier facing viewer]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "5 5/8 x 3 5/8 in. (14.3 x 9.2 cm)", "Disp_Height" : "5 5/8 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "laid paper", "Disp_Medium" : "etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Callot, whose production ran to around 2000 prints, was innovative both in technique - he advanced various refinements in the art of etching including new tools and ways of printing - and subject matter, finding inspiration especially in out-of-the-ordinary subjects from contemporary life. Perhaps amused by the extravagance of costumes worn by his aristocratic subjects, Callot has included in this series of nobility a self portrait (top row in the middle), his brother (second row on the left), his sister (third row in the middle), and his future wife (top row on the left and bottom row on the right). </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.07.10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.07.10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.07.10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.07.10.jpg", "IsPrimary" : "1", "_SurrogateID" : "29208", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28039", "Disp_Access_No" : "H2018.07.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "Les Noblesse [soldier facing right]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "5 5/8 x 3 5/8 in. 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Perhaps amused by the extravagance of costumes worn by his aristocratic subjects, Callot has included in this series of nobility a self portrait (top row in the middle), his brother (second row on the left), his sister (third row in the middle), and his future wife (top row on the left and bottom row on the right). </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.07.11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.07.11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.07.11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.07.11.jpg", "IsPrimary" : "1", "_SurrogateID" : "29209", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28040", "Disp_Access_No" : "H2018.07.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "Les Noblesse [the future mme. Callot]", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "5 5/8 x 3 5/8 in. (14.3 x 9.2 cm)", "Disp_Height" : "5 5/8 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "laid paper", "Disp_Medium" : "etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Callot, whose production ran to around 2000 prints, was innovative both in technique - he advanced various refinements in the art of etching including new tools and ways of printing - and subject matter, finding inspiration especially in out-of-the-ordinary subjects from contemporary life. Perhaps amused by the extravagance of costumes worn by his aristocratic subjects, Callot has included in this series of nobility a self portrait (top row in the middle), his brother (second row on the left), his sister (third row in the middle), and his future wife (top row on the left and bottom row on the right). </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.07.12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.07.12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.07.12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.07.12.jpg", "IsPrimary" : "1", "_SurrogateID" : "29210", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28049", "Disp_Access_No" : "H2018.07.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1607", "_Disp_Start_Dat" : "1607", "_Disp_End_Date" : "1607", "Disp_Title" : "Tobias and the Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adam Elsheimer", "Sort_Artist" : "Elsheimer, Adam", "Disp_Dimen" : "5 7/8 x 3 3/4 in. (14.9 x 9.5 cm)", "Disp_Height" : "5 7/8 in.", "Disp_Width" : "3 3/4 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. 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(8.5 x 6.7 cm)", "Disp_Height" : "3 3/8 in.", "Disp_Width" : "2 5/8 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The most famous works of Flamen are his moralizing emblems, combining picturesque elements with moral codes. Most of his series were published as small books, and there are 12 images in the exhibition from the set of 50 plates. 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(8.5 x 6.7 cm)", "Disp_Height" : "3 3/8 in.", "Disp_Width" : "2 5/8 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The most famous works of Flamen are his moralizing emblems, combining picturesque elements with moral codes. Most of his series were published as small books, and there are 12 images in the exhibition from the set of 50 plates. The artist added drypoint and burin, a steel cutting tool, to his etchings, and he drew with fine lines that create an effect similar to the works of Wenceslaus Hollar.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2017.26.11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2017.26.11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2017.26.11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2017.26.11.jpg", "IsPrimary" : "1", "_SurrogateID" : "24895", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 24474, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/24474", "Disp_Access_No" : "H2017.26.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1648 (fifth edition, printed 1672)", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1648", "Disp_Title" : "Emblesme 12: Il se conduit par adresse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Flamen", "Sort_Artist" : "Flamen, Albert", "Disp_Dimen" : "3 3/8 x 2 5/8 in. (8.5 x 6.7 cm)", "Disp_Height" : "3 3/8 in.", "Disp_Width" : "2 5/8 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>The most famous works of Flamen are his moralizing emblems, combining picturesque elements with moral codes. Most of his series were published as small books, and there are 12 images in the exhibition from the set of 50 plates. The artist added drypoint and burin, a steel cutting tool, to his etchings, and he drew with fine lines that create an effect similar to the works of Wenceslaus Hollar.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2017.26.12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2017.26.12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2017.26.12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2017.26.12.jpg", "IsPrimary" : "1", "_SurrogateID" : "24896", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28137", "Disp_Access_No" : "H2018.15.01", "_AccNumSort1" : "", "Disp_Create_DT" : "1685", "_Disp_Start_Dat" : "1685", "_Disp_End_Date" : "1685", "Disp_Title" : "Dole pris dans la premiere conquest que le Roy a faite de la franche Comte en 1668", "Alt_Title" : "", "Obj_Title" : "Dole pris dans la premiere conquest que le Roy a faite de la franche Comte en 1668 (Dole taken in the first conquest that the King made in Franche-Comte in 1668)", "Series_Title" : "", "Disp_Maker_1" : "Jan van Huchtenburgh", "Sort_Artist" : "Huchtenburgh, Jan van", "Disp_Dimen" : "19 15/16 x 52 in. (50.6 x 132.1 cm)", "Disp_Height" : "19 15/16 in.", "Disp_Width" : "52 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.15.01.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.15.01.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.15.01.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.15.01.jpg", "IsPrimary" : "1", "_SurrogateID" : "29311", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28138, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28138", "Disp_Access_No" : "H2018.15.02", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1637", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1642", "Disp_Title" : "Spring (Le Printemps)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "10 3/16 x 3 1/8 in. (25.9 x 7.9 cm)", "Disp_Height" : "10 3/16 in.", "Disp_Width" : "3 1/8 in.", "Dimen_Extent" : "image", "Medium" : "etching", "Support" : "paper", "Disp_Medium" : "etching on paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>A pair of lovers makes music on a stately terrace, spurred on by a cupid offering them fruit. In the background, a formal garden in steep perspective terminating in a classical pavilion denotes the courtly nature of this coupling. The highly artificial setting is surely imaginary but not implausible in seventeenth-century France. </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.15.02.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.15.02.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.15.02.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.15.02.jpg", "IsPrimary" : "1", "_SurrogateID" : "29312", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28142, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28142", "Disp_Access_No" : "H2018.15.03", "_AccNumSort1" : "", "Disp_Create_DT" : "1610", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1610", "Disp_Title" : "Three Putti and a Turtle, plate 34 from Book of New Grotesques", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "from Book of New Grotesques", "Disp_Maker_1" : "Christoph Jamnitzer", "Sort_Artist" : "Jamnitzer, Christoph", "Disp_Dimen" : "5 x 7 in. (12.7 x 17.8 cm)", "Disp_Height" : "5 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "image", "Medium" : "etching with punch work", "Support" : "laid paper", "Disp_Medium" : "etching with punch work on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>A leading German goldsmith of the early seventeenth century, Jamnitzer’s Book of New Grotesques is considered one of the most imaginative pattern books ever published. His inspirations included <BR/>tales of Christopher Columbus’s and Hernando Cortez’s voyages to the New World and their accounts of marvelous new creatures never before seen in <BR/>Europe. His etchings also parody the masks and floral flourishes that dominated earlier goldsmith designs as well as Renaissance balance and symmetry.</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.15.03.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.15.03.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.15.03.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.15.03.jpg", "IsPrimary" : "1", "_SurrogateID" : "29322", "Image_Type" : "Digital", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28169, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28169", "Disp_Access_No" : "H2018.22.01", "_AccNumSort1" : "", "Disp_Create_DT" : "1624 (first state of four)", "_Disp_Start_Dat" : "1624", "_Disp_End_Date" : "1624", "Disp_Title" : "The Fair of Gondreville", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "7 1/16 x 13 1/16 in. (18 x 33.2 cm)", "Disp_Height" : "7 1/16 in.", "Disp_Width" : "13 1/16 in.", "Dimen_Extent" : "overall", "Medium" : "etching", "Support" : "laid paper", "Disp_Medium" : "etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Museum purchase, funds from the Louis S. Booth Arts Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN STYLE="font-family:''Helvetica''">The Printed World: Masterpieces of Seventeenth-Century Printmaking<BR/>Joel and Lila Harnett Museum of Art<BR/>February 03 through March 24, 2019<BR/>Rustic gatherings, especially at country fairs (kermesses), were a popular subject in the art of Pieter Brueghel and his son Jan, both of whom were assiduously collected throughout Europe. A notable feature of these gatherings was the mixing of classes. Callot encourages close looking and enjoyment through extensive detail. </SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.22.01.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.22.01.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.22.01.tif", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.22.01.tif", "IsPrimary" : "1", "_SurrogateID" : "29350", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/H2018.22.01.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/H2018.22.01.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/H2018.22.01.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/H2018.22.01.jpg", "IsPrimary" : "0", "_SurrogateID" : "29351", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }